We all have different strengths and weaknesses as writers. For some, getting a first draft down is a necessary torture before the fun of editing begins. For others, editing is the agony after the ecstasy!
This two-day course is designed to get you both writing and editing, by combining dedicated creative time with an intensive tour through ways to improve your draft.
On day one, we’ll kick off by exploring ways to turn our ideas into full stories, from getting first words down to finishing a draft. You will then have ample time and space (and tea and cake) to write, in the quiet company of fellow scribblers.
On day two, we will work through a series of editing approaches, which you will be able to apply to your own work. Think of these as a series of editorial experiments that will throw new light on plot, style, characterisation, setting, dialogue, openings and endings. We suggest that you bring your draft from the previous day (or another story draft if you prefer), in multiple copy or on a laptop, so that you can test out approaches even if you choose not to apply all the editing techniques we teach in the session. We’ll discuss the results and share our work if we wish.
You don’t have to come up with an idea on the spot. You might have an idea you’ve been wanting to write, or a piece you have already started. Please bring this with you, to draft on day one. For those who want a new idea, we’ll provide optional idea-generating materials to get you going.
This course is suitable for both beginners and committed writers. By the end of the course you will have a draft piece of work, and a range of editing skills you’ll be ready to apply to it!
Course fee: Early Bird £189. Full fee £229
Date and Time: Weekend of April 8th & 9th, 10am-4pm
Location: Clapton Laundry, London – a luxurious, inspiring space in East London, where you will have plenty of space to spread out and find a quiet spot during the first day of writing. Lunch will also be provided
Tutors: This course will be taught by both Lily Dunn and Zoe Gilbert of London Lit Lab. By leading workshops together, we are able to bring two perspectives to everything we teach, and therefore everything is up for discussion! Sharing our differing approaches to writing helps to create a richer learning experience, which we believe benefits everyone who comes on our courses. As writers on our 2016 courses said:
‘It was a rare and valuable experience having two experts teaching such an intimate group.’
‘having two points of view was a definite benefit, and reminder that so much is subjective, with no one authority or solution!’
Places are limited, so if you would like to reserve a place, or for more information, please get in touch at firstname.lastname@example.org.
We have one place on this course available at a 75% discount for a writer who would struggle to pay the full fee. If you, or someone you know, would like to apply for this place, please write to us at email@example.com, by 25th March. In no more than 200 words, please tell us why you would like to come on the course, what you write, and why a discounted place would be valuable to you. We won’t be fact-checking but we really want to give this place to someone who genuinely needs it, so please be honest. Thanks, and we look forward to hearing from you.